Created from the manifestation (manifest) of the legendary "Thousand Miles of Rivers and Mountains" by the National Palace Museum of China, this hand-knitted,beaded tri-color tri-pendant bracelet uses gold Gold as the tri-pendant, where Gold is the almighty healer, possessing a remarkable ability to balance the mind and body, helping the wearer to overcome feelings of paralysis and fear, enabling one to persevere in times of trouble, granting confidence to the wearer, and inspiring inner true strength and can effectively overcome depressive tendencies.
At the same time, using the legendary elements of Chinese Feng Shui and I Ching, Sea water and cliff pattern presents a beautiful design. Sea water and cliff pattern is a combination of sea waves, river water and cliff pattern, symbolizing the great power of nature and endless life force. In Feng Shui, the Sea water and cliff pattern symbolizes wealth and mobility, representing unending fortune and smooth career development. The seawater symbolizes the constant flow of opportunities, while the river cliff symbolizes solid wealth. In the Chinese Five Elements culture, seawater and river cliff symbolize the attribute of "water". Water symbolizes wisdom, fluidity and flexibility. The element of water in the Seawater River Cliff Pattern represents wisdom and adaptability, helping people to find opportunities and solve problems in the midst of change. Water also corresponds to the winter season, symbolizing nurturing and building momentum.
The Thousand Miles of Rivers and Mountains is the only surviving work by Wang Ximeng, a painter of the Northern Song dynasty in China. The painting depicts the beautiful mountains and rivers of China. On the picture, the peaks and mountains are undulating and stretching, and the rivers are full of smoke and waves, which make the weather magnificent. High cliffs and waterfalls in the mountains, winding paths, houses dotted with houses, green willow and red flowers, long pines and bamboo, beautiful scenery. Between the landscape wild fishing village, water pavilion, thatched cottages, water mill long bridge according to the terrain, the environment and set up, and the mountains and lakes reflect each other. This volume is majestic, is regarded as China's green landscape painting school of masterpieces. The Thousand Miles of Rivers and Mountains scroll inherits the traditional "green and green method" in coloring and brushwork, i.e., using stone green, stone green and other minerals as the main pigments, which is similar to the impressionist paintings, and is referred to as "green and green landscape".
The Seawater River Cliff Pattern combines the patterns of waves, rivers and cliffs to symbolize the great power of nature and endless vitality. In Feng Shui, the Seawater River Cliff pattern symbolizes wealth and mobility, representing unending wealth and smooth career development. The seawater symbolizes the constant flow of opportunities, while the river cliff symbolizes solid wealth. In the Chinese Five Elements culture, seawater and river cliff symbolize the attribute of "water". Water symbolizes wisdom, fluidity and flexibility. The element of water in the Seawater River Cliff Pattern represents wisdom and adaptability, helping people to find opportunities and solve problems in the midst of change. Water also corresponds to the winter season, symbolizing nurturing and building momentum.
Malachite is an important ingredient in Chinese painting pigments and occupies an important position in traditional painting art with its unique color and texture. Malachite is the raw ore for stone green, and its fineness can be divided into different grades, and the grinding process needs to be very careful. In addition to malachite pigment, there are also mixed blue copper ore and malachite group green. Stone green appears frequently in ancient Chinese poetry, depicting natural scenery and adding vividness and artistic charm to paintings. As an important part of Chinese painting pigments, stone green witnessed the development of traditional painting art and carried the ancient people's pursuit and expression of natural beauty.
Sulfur yellow is one of the five positive colors of the ancient Orient, formed by mixing with yellow and black. Sulfur yellow has physical embodiment and is described as a sulfur yellow color. Sulfur yellow was used to describe the skin color of the Australian race in the writing of Zhang Taiyan, a Chinese literati of the Qing Dynasty.
Gentian Blue is a color derived from the indigo making process and describes the bluish-green color of the indigo tank water after the fermentation of bluegrass. It represents the ancient people's full utilization and deep understanding of natural resources. Over time, soft blue evolved into a general term for light blue or blue-green, and was used to describe a variety of light, soft shades of blue. More than just a description of a color, soft blue is a legacy of culture and craftsmanship that inspires our appreciation of traditional craftsmanship and natural beauty.
Sky water blends is the name of a color used in the ancient Chinese court dyeing technique of the Southern Tang Dynasty, a distinctive blue-green color dyed by dew. This color became popular under the influence of Li Yu, the later lord of the Southern Tang Dynasty, and was widely used in later literary works and artistic creations. Tianshui Bi is not only an important part of traditional Chinese color culture, but also a testimony to the ancient people's pursuit of natural beauty and the beauty of color.
